COREY ANTIS [b.1980]      



2007     MFA, Painting, Tyler School of Art, Temple University, Elkins Park, PA

2003     BFA, Painting, Cornell University, Ithaca, NY

2003     BA, English (With Distinction), Cornell University, Ithaca, NY



2016     Works And Days, Haw Contemporary, Kansas City, MO

2015     Works And Days, The Bank, Matfield Green, KS

2014     The Head On The Door, Haw Contemporary, Kansas City, MO

2013     Ten Drawings, Gladstone Art Space, Gladstone, MO

2011     In The Bight, Rebekah Templeton Gallery, Philadelphia, PA

2008     Notes/Screens/Days, Vox Populi Gallery, Philadelphia, PA 2008 Stills, Vox Populi Gallery, Philadelphia, PA



2018     All Tomorrow’s Parties, La Esquina, Kansas City, MO

2018     Echoes, rk-Galerie, Berlin, Germany

2017     Privates, H.F. Johnson Gallery of Art, Carthage College, Kenosha, WI

2017     The Nothing That Is, The Carnegie, Covington, KY

2016     No Wave Goodbye, Vox Populi Gallery, Philadelphia, PA

2015     YOU PEOPLE, Haw Contemporary, Kansas City, MO

2014     Showcase, Arena, Kansas City, MO

2014     Kansas City Flatfile, H&R Block Artspace, Kansas City, MO

2014     Crosscurrents In Contemporary Abstraction, Metcalf Gallery, Taylor University, Upland, IN

2013     The First Ending, Galerie Zürcher, New York City, NY



2008     Finalist, Louis Comfort Tiffany Foundation Award

2007     Pennsylvania Council on the Arts Residency

2003     Cornell University Department of Art Distinguished Achievement Award



2016     Melaney Mitchell, Keys And Codes: Corey Antis’ Works And Days, Informality

2014     Alice Thorson, Kemper at the Crossroads exhibit highlights artists’ vigor and invention, Kansas City Star

2014     Alicia Eler, Meditations From The Middle, Hyperallergic

2014     Will Meier, It’s A Kansas City Day, Part 2, Bad At Sports

2014     Beth Bowman, Crosscurrents In Contemporary Abstraction, Taylor University Publishing

2013     Liz Cook, ‘New, Four’ rounds up interesting pieces by Art Institute faculty, The Pitch

2013     Robert Bingaman, Corey Antis, Wheelhouse Review